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	<title>Emma Davidson</title>
	<link>https://emmadavidson.art</link>
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	<pubDate>Sun, 23 Mar 2025 02:48:59 +0000</pubDate>
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		<title>Emma Davidson</title>
				
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		<pubDate>Sat, 01 Feb 2020 02:09:43 +0000</pubDate>

		<dc:creator>Emma Davidson</dc:creator>

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		<title>2025</title>
				
		<link>https://emmadavidson.art/2025</link>

		<pubDate>Sun, 23 Mar 2025 02:48:59 +0000</pubDate>

		<dc:creator>Emma Davidson</dc:creator>

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	2025Again! Again!A backdrop for Laura Coleman’s 2025 comedy show ‘Keep Coming Back’, based on a mural I contributed to in 2023.


	


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	Again! Again!
27 June – 20 July
Good Grief Studiosnipaluna/Hobart

Garden Wall Gallery and Bathurst Street Screen
	


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	Bridges #12
About being a factory kid in Marrickville in the late 80s, early 90s.
	

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	Bridges 1–10
A compilation of the first ten issues of ‘Bridges’, a zine about everyday life.
Available to purchase from my shop.
	


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		<title>2024</title>
				
		<link>https://emmadavidson.art/2024</link>

		<pubDate>Tue, 30 Jul 2024 01:15:58 +0000</pubDate>

		<dc:creator>Emma Davidson</dc:creator>

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	2024Bridges #11
Released February 2024
The lost issue of Bridges, starring the 5-star-rated Kings Cross Footway!


	


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&#60;img width="3456" height="1860" width_o="3456" height_o="1860" data-src="https://freight.cargo.site/t/original/i/9babb5a1d77774d1fbc9d34d2b34f3c15102d5262649082a2e322ff031b6e15d/Screenshot-2024-08-19-at-11.34.41-am.png" data-mid="216579483" border="0" data-scale="68" src="https://freight.cargo.site/w/1000/i/9babb5a1d77774d1fbc9d34d2b34f3c15102d5262649082a2e322ff031b6e15d/Screenshot-2024-08-19-at-11.34.41-am.png" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>2023</title>
				
		<link>https://emmadavidson.art/2023</link>

		<pubDate>Fri, 13 Jan 2023 10:17:45 +0000</pubDate>

		<dc:creator>Emma Davidson</dc:creator>

		<guid isPermaLink="true">https://emmadavidson.art/2023</guid>

		<description>
	2023A.N.T.H.O.L.O.G.Y11 January – 5 FebruaryWoollahra Gallery at ReadleafCurated by Ruark Lewis
Sydney Non Objective


	


&#60;img width="1000" height="1333" width_o="1000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/e5098d4f8c5acc33257f7d79d43cd32641b94323942f6ffd19023071f847e94c/IMG_4041.JPG" data-mid="164588740" border="0" data-scale="44" alt="Friday on the Moon" data-caption="Friday on the Moon" src="https://freight.cargo.site/w/1000/i/e5098d4f8c5acc33257f7d79d43cd32641b94323942f6ffd19023071f847e94c/IMG_4041.JPG" /&#62;



&#60;img width="1777" height="1333" width_o="1777" height_o="1333" data-src="https://freight.cargo.site/t/original/i/875f51d542b42d32c9e18f37a66efdaf0adfc744e83e705acae2758e2efe1dd0/IMG_4944.JPG" data-mid="164588950" border="0" alt="Extracted from this ore" data-caption="Extracted from this ore" src="https://freight.cargo.site/w/1000/i/875f51d542b42d32c9e18f37a66efdaf0adfc744e83e705acae2758e2efe1dd0/IMG_4944.JPG" /&#62;



	YOU/Bridges #10 split zineReleased February 2023Luke YOU invited me to make a split zine with him, and I said YES. My side of the split is the 10th issue of my irregular zine Bridges, and contains a story about Antarctica, the moon, and how ‘we’ became artists.The drawings on my side of the zine were made with electronic typewriter ribbon. Some have secret messages in them, all are chance drawings, most were drawn while David Attenborough’s 1979 documentary series ‘Life on Earth’ played in the background. I got through 12 one hour episodes of ‘Life on Earth’, and did a few more without Sir Dave’s accompaniment, so these drawings took ~13 hours to complete.Luke’s zine YOU has been made EVERY WEEK since 2001. This issue contains reflections on dog vertigo.Long live zines, long live split zines.
	
	

&#60;img width="2448" height="3264" width_o="2448" height_o="3264" data-src="https://freight.cargo.site/t/original/i/1e6fdfad55ccdc5f4737e8ed50e720b0b0002729aed4d5f7cc3d300f0936612a/IMG_4850.JPG" data-mid="170649547" border="0"  src="https://freight.cargo.site/w/1000/i/1e6fdfad55ccdc5f4737e8ed50e720b0b0002729aed4d5f7cc3d300f0936612a/IMG_4850.JPG" /&#62;
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&#60;img width="2448" height="2448" width_o="2448" height_o="2448" data-src="https://freight.cargo.site/t/original/i/2b4a02475922e11aa42f253fa259e9afd6d7a94146ea88dc07978883f87404fb/IMG_6902.JPG" data-mid="181780838" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/2b4a02475922e11aa42f253fa259e9afd6d7a94146ea88dc07978883f87404fb/IMG_6902.JPG" /&#62;
&#60;img width="2448" height="2448" width_o="2448" height_o="2448" data-src="https://freight.cargo.site/t/original/i/810145fb7cab19d6636f96514430720703efd85205ab7d13246b48bdd36b5107/IMG_6895.JPG" data-mid="181780836" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/810145fb7cab19d6636f96514430720703efd85205ab7d13246b48bdd36b5107/IMG_6895.JPG" /&#62;
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	Other Worlds zine fair posterI designed the poster for 2023’s Other Worlds zine fair (which I also help organise with a bunch of excellent people).The poster was risograph printed by Glom Press in coral and black soy ink. Thank you, Glom x
	

&#60;img width="736" height="1024" width_o="736" height_o="1024" data-src="https://freight.cargo.site/t/original/i/a63802d37cffcb1658f26a737200bcf57b1135724a60e5ef485f859d65deed22/IMG_6741.JPG" data-mid="181780834" border="0"  src="https://freight.cargo.site/w/736/i/a63802d37cffcb1658f26a737200bcf57b1135724a60e5ef485f859d65deed22/IMG_6741.JPG" /&#62;
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&#60;img width="2448" height="3264" width_o="2448" height_o="3264" data-src="https://freight.cargo.site/t/original/i/619b670db6d11e90f1553a671d904062ad9bac9e5c6bf84be56cc73f2daae966/IMG_5906.JPG" data-mid="181780833" border="0"  src="https://freight.cargo.site/w/1000/i/619b670db6d11e90f1553a671d904062ad9bac9e5c6bf84be56cc73f2daae966/IMG_5906.JPG" /&#62;
&#60;img width="2448" height="3264" width_o="2448" height_o="3264" data-src="https://freight.cargo.site/t/original/i/a3ba0d2af5aaa8676f961670fa3674040208648c3565fa73fa21822c52c7dc52/IMG_6770.JPG" data-mid="181780835" border="0"  src="https://freight.cargo.site/w/1000/i/a3ba0d2af5aaa8676f961670fa3674040208648c3565fa73fa21822c52c7dc52/IMG_6770.JPG" /&#62;



	Other Worlds muralMP Fikaris invited a bunch of zinesters and comic artists to paint a mural on the side of Gigi’s pizza shop in Newtown, NSW.My Again! Again! Again! Again! Again! is about photocopying, printing, persistence etc.Thank you Fikaris for organising this, and to the others who worked on the wall: the amazing Claudia Chinyere Akole, Lizzy Nagy and Meg O’shea.
	 


&#60;img width="750" height="932" width_o="750" height_o="932" data-src="https://freight.cargo.site/t/original/i/5487bbaf49bf503b6b8cf94f49db0c5bcbebb60e637f23dd80cc0706349f5621/IMG_6928.jpg" data-mid="181780839" border="0"  src="https://freight.cargo.site/w/750/i/5487bbaf49bf503b6b8cf94f49db0c5bcbebb60e637f23dd80cc0706349f5621/IMG_6928.jpg" /&#62;

	The First Day of SummerA big split zine put together by Luke You to celebrate the first day of summer.Contains the beginning of a story I’m telling about the history of my mum’s side of the family in Australia. This first part of the story is about memories of my great-grandfather and Maroubra.

	

&#60;img width="1000" height="1000" width_o="1000" height_o="1000" data-src="https://freight.cargo.site/t/original/i/4f8c140078ad1dc5bed39e9ded17c673bfce89aadf0569006090d08de0c59f5e/First-Day-of-Summe-zine.JPG" data-mid="202923702" border="0"  src="https://freight.cargo.site/w/1000/i/4f8c140078ad1dc5bed39e9ded17c673bfce89aadf0569006090d08de0c59f5e/First-Day-of-Summe-zine.JPG" /&#62;


	OHH and SEE OH TOPeter Jones invited me to contribute to an edition of home-printed artist journal/zine Pebble – thank you Peter, and Pebble creators Mitch and Mitch.My prints are portraits of two familiar molecules, made with a customisable self-inking stamp.‘OHH’ is a diagram of how oxygen and hydrogen atoms are arranged in a water molecule, and a sound you might make in a moment of disappointment, surprise etc.‘SEE OH TO’ is an infamous product of cellular respiration, and a nostalgic yearning to see, oh, to see etc.
	



&#60;img width="3713" height="5251" width_o="3713" height_o="5251" data-src="https://freight.cargo.site/t/original/i/7e62b3a74dab39ff6f44711fd8a6083f8deb518ed4e77d6578de05d40e1b1921/Emma-D-OHH-SEEOHTOO_Page_1.jpg" data-mid="202191398" border="0"  src="https://freight.cargo.site/w/1000/i/7e62b3a74dab39ff6f44711fd8a6083f8deb518ed4e77d6578de05d40e1b1921/Emma-D-OHH-SEEOHTOO_Page_1.jpg" /&#62;
&#60;img width="1440" height="1440" width_o="1440" height_o="1440" data-src="https://freight.cargo.site/t/original/i/f866095abbe276c25f4f946e8f5e8d5c4e30b6263055a24462d334a97ac78f96/83C9E0E1-9C27-4411-8E1F-40ACBDE6057D.JPG" data-mid="202191386" border="0"  src="https://freight.cargo.site/w/1000/i/f866095abbe276c25f4f946e8f5e8d5c4e30b6263055a24462d334a97ac78f96/83C9E0E1-9C27-4411-8E1F-40ACBDE6057D.JPG" /&#62;
&#60;img width="1440" height="1440" width_o="1440" height_o="1440" data-src="https://freight.cargo.site/t/original/i/3fcbbaf7d0c2a5751eb7d74c9adf5324e7c276d70e6de22ffac64c25996befb2/27E87A33-6CC9-4F3B-89C8-BCC4CA869095.JPG" data-mid="202191385" border="0"  src="https://freight.cargo.site/w/1000/i/3fcbbaf7d0c2a5751eb7d74c9adf5324e7c276d70e6de22ffac64c25996befb2/27E87A33-6CC9-4F3B-89C8-BCC4CA869095.JPG" /&#62;
&#60;img width="3680" height="5204" width_o="3680" height_o="5204" data-src="https://freight.cargo.site/t/original/i/2239bb68d6572307db431efc4f7bbd0a6ee1a758047acf222cee12ff68567f67/Emma-D-OHH-SEEOHTOO_Page_2.jpg" data-mid="202191399" border="0"  src="https://freight.cargo.site/w/1000/i/2239bb68d6572307db431efc4f7bbd0a6ee1a758047acf222cee12ff68567f67/Emma-D-OHH-SEEOHTOO_Page_2.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>2022</title>
				
		<link>https://emmadavidson.art/2022</link>

		<pubDate>Fri, 02 Sep 2022 01:53:46 +0000</pubDate>

		<dc:creator>Emma Davidson</dc:creator>

		<guid isPermaLink="true">https://emmadavidson.art/2022</guid>

		<description>
	2022Waverley Art Prize24 September – 3 OctoberBondi Pavillion Art GalleryMy 2021 piece ‘Friday on the Moon’ was a finalist in the 2022 Waverley Art Prize.


	




&#60;img width="1920" height="1077" width_o="1920" height_o="1077" data-src="https://freight.cargo.site/t/original/i/f27af27cd3d2d891bd1fc78b65978bb74325f7aa51cb0a9012951ee9c813a64c/220923_BONDI_014_sm.jpg" data-mid="156788126" border="0" alt="@silversaltphotography" data-caption="@silversaltphotography" src="https://freight.cargo.site/w/1000/i/f27af27cd3d2d891bd1fc78b65978bb74325f7aa51cb0a9012951ee9c813a64c/220923_BONDI_014_sm.jpg" /&#62;


	
	In order to go to see
24 September – 6 October
PROP
















The work in this show
is part of an ongoing series exploring the cultural, linguistic, graphic and
historical associations of the colour International Orange.





Photos by Tim Ungaro.


&#60;img width="2448" height="3264" width_o="2448" height_o="3264" data-src="https://freight.cargo.site/t/original/i/f29778dea46fe0504f1b7ef77c1fac67354bd747cb40e9b4126a2ac5602ce09d/IMG-3475.JPG" data-mid="151891340" border="0"  src="https://freight.cargo.site/w/1000/i/f29778dea46fe0504f1b7ef77c1fac67354bd747cb40e9b4126a2ac5602ce09d/IMG-3475.JPG" /&#62;



	


















The
British Empire of the Victorian era was enormous and diverse. At one end of the
political spectrum was India, where Britain ruled as heir to the Mughals. On
the other end was Pitcairn, a dot of an island in the southern Pacific Ocean of
less than two square miles whose population, descendants of mutineers and their
Tahitian companions, peaked at around two hundred. In between were
constellations of red swaths, blotches, and dots on global maps that
represented British possessions on every continent save Antarctica.

– Caroline Elkins&#38;nbsp;
Legacy of Violence







	

	
	


















Sometimes I feel like Fletcher
Christian.

– Mekons&#38;nbsp;
Sometimes I Feel Like Fletcher Christian







	

	
	There
is only seeing and, in order to go to see, one must be a pirate.

– Kathy Acker
quoted in Chris
Kraus After Kathy Acker









	


















This book, which I ordered
from London and reread a thousand times, filled me with longing to see with my
own eyes the strange continent, last Thule of the South, which lies on our maps
and globes like a white cloud, a void, fringed here and there with scraps of
coastline, dubious capes, supposititious islands, headlands that may or may not
be there: Antarctica. And the desire was as pure as the polar snows: to go, to
see – no more; no less.



– Ursula K. Le Guin
Sur







	

	
	There
are those who would impatiently ask, “What is the use of it all?” The answer is
brief. Bound up with the mystery of the seventh continent are volumes of data
of vital importance to science, and economic problems which may become of the
moment in the near future.


– Douglas Mawson 
The Home of the Blizzard



&#60;img width="2400" height="1600" width_o="2400" height_o="1600" data-src="https://freight.cargo.site/t/original/i/2bea52c457ab561ae7ac26d4ab6f64fef6d9ba16bf8fdcd6f18ff335b7e60246/IMGL7602.jpg" data-mid="156787762" border="0" alt="'South'; 'OH TO SEE, TO SEE OH, SEE OH TO'; 'Extraction (Series)'" data-caption="'South'; 'OH TO SEE, TO SEE OH, SEE OH TO'; 'Extraction (Series)'" src="https://freight.cargo.site/w/1000/i/2bea52c457ab561ae7ac26d4ab6f64fef6d9ba16bf8fdcd6f18ff335b7e60246/IMGL7602.jpg" /&#62;
&#60;img width="2000" height="1264" width_o="2000" height_o="1264" data-src="https://freight.cargo.site/t/original/i/16677346cbfb002ab42c491590c077c74ea2e8355d79b31d4ec24d0685a15ab9/IMGL7637.jpg" data-mid="156870706" border="0" alt="'4 letters 4 friends'" data-caption="'4 letters 4 friends'" src="https://freight.cargo.site/w/1000/i/16677346cbfb002ab42c491590c077c74ea2e8355d79b31d4ec24d0685a15ab9/IMGL7637.jpg" /&#62;
&#60;img width="2000" height="2776" width_o="2000" height_o="2776" data-src="https://freight.cargo.site/t/original/i/7bdaac9a3b24b5a9542c16f1e456d65780fe19af9b65121a3f821e6d3e57b0d8/IMGL7671.jpg" data-mid="156871695" border="0" alt="'EightTimesOver'" data-caption="'EightTimesOver'" src="https://freight.cargo.site/w/1000/i/7bdaac9a3b24b5a9542c16f1e456d65780fe19af9b65121a3f821e6d3e57b0d8/IMGL7671.jpg" /&#62;
&#60;img width="2000" height="1292" width_o="2000" height_o="1292" data-src="https://freight.cargo.site/t/original/i/81d1c0a6b84dbd8e2a0f25643488f4c5e30f0d67afee7385eb8a72d2dbf7a9d2/IMGL7618.jpg" data-mid="156871528" border="0" alt="'Extraction (Series)'; 'Friday on the Moon II'" data-caption="'Extraction (Series)'; 'Friday on the Moon II'" src="https://freight.cargo.site/w/1000/i/81d1c0a6b84dbd8e2a0f25643488f4c5e30f0d67afee7385eb8a72d2dbf7a9d2/IMGL7618.jpg" /&#62;
&#60;img width="1410" height="2000" width_o="1410" height_o="2000" data-src="https://freight.cargo.site/t/original/i/18f15304e726ae336b5d757406ae6272861d7eec14f774f134bf60c1e1919946/IMGL7607.jpg" data-mid="156787764" border="0" alt="'Friday on the Moon II'" data-caption="'Friday on the Moon II'" src="https://freight.cargo.site/w/1000/i/18f15304e726ae336b5d757406ae6272861d7eec14f774f134bf60c1e1919946/IMGL7607.jpg" /&#62;
&#60;img width="1472" height="2000" width_o="1472" height_o="2000" data-src="https://freight.cargo.site/t/original/i/dd67a4a8c16b2008564a7ad9694e2d78ea3ee5a30370e8a08e6487cae7ee6f03/IMGL7608.jpg" data-mid="156867291" border="0" alt="'Extraction (Series)' (detail)" data-caption="'Extraction (Series)' (detail)" src="https://freight.cargo.site/w/1000/i/dd67a4a8c16b2008564a7ad9694e2d78ea3ee5a30370e8a08e6487cae7ee6f03/IMGL7608.jpg" /&#62;
&#60;img width="1436" height="2000" width_o="1436" height_o="2000" data-src="https://freight.cargo.site/t/original/i/4e26c56e1f9585e78f92d13c70c119afce882fecc484cc8c727f468db5d9dec3/IMGL7613.jpg" data-mid="156869251" border="0" alt="'OH TO SEE, TO SEE OH, SEE OH TO'" data-caption="'OH TO SEE, TO SEE OH, SEE OH TO'" src="https://freight.cargo.site/w/1000/i/4e26c56e1f9585e78f92d13c70c119afce882fecc484cc8c727f468db5d9dec3/IMGL7613.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>2021</title>
				
		<link>https://emmadavidson.art/2021</link>

		<pubDate>Mon, 14 Jun 2021 06:38:27 +0000</pubDate>

		<dc:creator>Emma Davidson</dc:creator>

		<guid isPermaLink="true">https://emmadavidson.art/2021</guid>

		<description>
	2021International Orange10–20 NovemberFactory 49International orange is
a name given to several reddish-orange or orangish-red colours used primarily
in aerospace engineering, shipping and other industrial settings. It is the
colour of the paint on the Golden Gate Bridge, the colour of Advanced Crew
Escape Suits designed by NASA for use in early astronautics, and the colour of
the Australian icebreaking ships Aurora Australis (retired)
and Nuyina. International Orange is the title of
an ongoing project to explore the political, social and aesthetic associations
and resonances of the colour international orange.







Read full exhibition text.


	



&#60;img width="2000" height="2799" width_o="2000" height_o="2799" data-src="https://freight.cargo.site/t/original/i/de2217e5d26478423329391f48de8f3b9b614b2f48224c801317907a2cf767c7/Extracted-from-this--ore.jpg" data-mid="126367379" border="0" alt="'Extracted from this, ore'" data-caption="'Extracted from this, ore'" src="https://freight.cargo.site/w/1000/i/de2217e5d26478423329391f48de8f3b9b614b2f48224c801317907a2cf767c7/Extracted-from-this--ore.jpg" /&#62;
&#60;img width="3000" height="4281" width_o="3000" height_o="4281" data-src="https://freight.cargo.site/t/original/i/28a4e524eaf2de77b0ae02843cdf084c4ad08f3168915abbdf2ae5c64a836006/IOUOUIOUI.jpg" data-mid="134766918" border="0" alt="'oui, yes, we'" data-caption="'oui, yes, we'" src="https://freight.cargo.site/w/1000/i/28a4e524eaf2de77b0ae02843cdf084c4ad08f3168915abbdf2ae5c64a836006/IOUOUIOUI.jpg" /&#62;
&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/a8f3b74a6ed8bb0d6a12d37e5883288875b3c9beb851f7783aa81704f92aed37/Install-shot-1.jpg" data-mid="127330099" border="0" alt="'Friday on the moon'; 'Extracted from this awe'; 'Selenography'" data-caption="'Friday on the moon'; 'Extracted from this awe'; 'Selenography'" src="https://freight.cargo.site/w/1000/i/a8f3b74a6ed8bb0d6a12d37e5883288875b3c9beb851f7783aa81704f92aed37/Install-shot-1.jpg" /&#62;
&#60;img width="1500" height="2116" width_o="1500" height_o="2116" data-src="https://freight.cargo.site/t/original/i/25ec649692d539532885082e0e652e18f24a176f779f56bdc9a0eeb055e666bb/Selenography.jpg" data-mid="134766147" border="0" alt="'Selenography'" data-caption="'Selenography'" src="https://freight.cargo.site/w/1000/i/25ec649692d539532885082e0e652e18f24a176f779f56bdc9a0eeb055e666bb/Selenography.jpg" /&#62;
&#60;img width="1500" height="2157" width_o="1500" height_o="2157" data-src="https://freight.cargo.site/t/original/i/5d4b03088ce48c10d4b26cb32466f2fb84daaebd3853084a8d77946dd9a15151/Friday-on-the-moon.jpg" data-mid="134766146" border="0" alt="'Friday on the moon'" data-caption="'Friday on the moon'" src="https://freight.cargo.site/w/1000/i/5d4b03088ce48c10d4b26cb32466f2fb84daaebd3853084a8d77946dd9a15151/Friday-on-the-moon.jpg" /&#62;
&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/8f92a1d84d3cf9c95517027a251a11222d9a5772a79b8aaa34de2264522f8e29/Rare-earths-detail-2.jpg" data-mid="127330193" border="0" alt="'Rare Earths' (detail)" data-caption="'Rare Earths' (detail)" src="https://freight.cargo.site/w/1000/i/8f92a1d84d3cf9c95517027a251a11222d9a5772a79b8aaa34de2264522f8e29/Rare-earths-detail-2.jpg" /&#62;
&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/e79476c1d8a3d76b8b8ab5591eb6c662883ee56d45eca074295e912253cfe818/Extracted-from-this--ore-detail.jpg" data-mid="127982599" border="0" alt="'Extracted from this, ore' (detail)" data-caption="'Extracted from this, ore' (detail)" src="https://freight.cargo.site/w/1000/i/e79476c1d8a3d76b8b8ab5591eb6c662883ee56d45eca074295e912253cfe818/Extracted-from-this--ore-detail.jpg" /&#62;
&#60;img width="1700" height="2558" width_o="1700" height_o="2558" data-src="https://freight.cargo.site/t/original/i/d622986a5061fd1944a9c3a7cfa05302681a4d5af4be866f1f8bab5262c1f08b/davidson_emma_international-orange.jpg" data-mid="154367633" border="0" alt="'International Orange'" data-caption="'International Orange'" src="https://freight.cargo.site/w/1000/i/d622986a5061fd1944a9c3a7cfa05302681a4d5af4be866f1f8bab5262c1f08b/davidson_emma_international-orange.jpg" /&#62;
&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/ef5613637beed2d3787086cf1d3700480ce62a301baa605ca622e57fd57122aa/International-orange.jpg" data-mid="127982720" border="0" alt="'International Orange' (detail)" data-caption="'International Orange' (detail)" src="https://freight.cargo.site/w/1000/i/ef5613637beed2d3787086cf1d3700480ce62a301baa605ca622e57fd57122aa/International-orange.jpg" /&#62;


	
Typing pool
4–6 JuneKogarah library exhibition space

Open the window; open the door
22–6 JuneKogarah library exhibition space

	



&#60;img width="533" height="800" width_o="533" height_o="800" data-src="https://freight.cargo.site/t/original/i/43cf4d0fe8ce61bf4608d9a259420e01072de4b6fb61974908fb873e47ea011d/Typing-pool-1.jpg" data-mid="111290797" border="0" alt="'Typing Pool' participants" data-caption="'Typing Pool' participants" src="https://freight.cargo.site/w/533/i/43cf4d0fe8ce61bf4608d9a259420e01072de4b6fb61974908fb873e47ea011d/Typing-pool-1.jpg" /&#62;
&#60;img width="800" height="533" width_o="800" height_o="533" data-src="https://freight.cargo.site/t/original/i/515f31e310af1c67686c6450dbb0ef510bb855cd6ed05d3c4aff386ae3fa2b61/Typing-pool-5.jpg" data-mid="111290801" border="0"  src="https://freight.cargo.site/w/800/i/515f31e310af1c67686c6450dbb0ef510bb855cd6ed05d3c4aff386ae3fa2b61/Typing-pool-5.jpg" /&#62;
&#60;img width="800" height="533" width_o="800" height_o="533" data-src="https://freight.cargo.site/t/original/i/68fe7619a673b745cc31ecdaeb92330ec75d1877a622017a9727cf3eddc8bca1/Typing-pool-3.jpg" data-mid="111290799" border="0"  src="https://freight.cargo.site/w/800/i/68fe7619a673b745cc31ecdaeb92330ec75d1877a622017a9727cf3eddc8bca1/Typing-pool-3.jpg" /&#62;
&#60;img width="533" height="800" width_o="533" height_o="800" data-src="https://freight.cargo.site/t/original/i/981fcaa76ae42184d9e3d3a68ba286303c6850ebaa8a868cb8e522dadfcd9f90/Typing-pool-4.jpg" data-mid="111290800" border="0" alt="'Typing Pool' instructions and source text" data-caption="'Typing Pool' instructions and source text" src="https://freight.cargo.site/w/533/i/981fcaa76ae42184d9e3d3a68ba286303c6850ebaa8a868cb8e522dadfcd9f90/Typing-pool-4.jpg" /&#62;
&#60;img width="500" height="667" width_o="500" height_o="667" data-src="https://freight.cargo.site/t/original/i/a7e23ffb2e8f1674a3f78f8cdd3f9563d8310bd79e9260450e7c2b0588aeed60/Emma-Davidson-Open-the-window--open-the-door.JPG" data-mid="118344073" border="0"  src="https://freight.cargo.site/w/500/i/a7e23ffb2e8f1674a3f78f8cdd3f9563d8310bd79e9260450e7c2b0588aeed60/Emma-Davidson-Open-the-window--open-the-door.JPG" /&#62;
&#60;img width="800" height="533" width_o="800" height_o="533" data-src="https://freight.cargo.site/t/original/i/d6e4cee28d68f12880b824ceea4b5df3329904d8743e86b73323bedfd2353294/Typing-pool-6.jpg" data-mid="111290802" border="0"  src="https://freight.cargo.site/w/800/i/d6e4cee28d68f12880b824ceea4b5df3329904d8743e86b73323bedfd2353294/Typing-pool-6.jpg" /&#62;
&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/2b7fba69386b5050951c56a2f0a885788b79d542d019fc9700b24fde038a0968/Typing-pool-7.jpg" data-mid="111290803" border="0" alt="Yellow Adler typewriter" data-caption="Yellow Adler typewriter" src="https://freight.cargo.site/w/1000/i/2b7fba69386b5050951c56a2f0a885788b79d542d019fc9700b24fde038a0968/Typing-pool-7.jpg" /&#62;
&#60;img width="500" height="667" width_o="500" height_o="667" data-src="https://freight.cargo.site/t/original/i/35f71c76abe58f2b291e365884a38902019ffd7d590c4d61ec470256e9006d22/Emma-Davidson-Typing-Pool.JPG" data-mid="118344074" border="0"  src="https://freight.cargo.site/w/500/i/35f71c76abe58f2b291e365884a38902019ffd7d590c4d61ec470256e9006d22/Emma-Davidson-Typing-Pool.JPG" /&#62;
&#60;img width="800" height="533" width_o="800" height_o="533" data-src="https://freight.cargo.site/t/original/i/67de1176bd405ffa54901cfdea7de68ee7a787b88494fe339d4536dd3281fa19/Typing-pool-8.jpg" data-mid="111290804" border="0" alt="'Typing Pool' participant using teal Olivetti" data-caption="'Typing Pool' participant using teal Olivetti" src="https://freight.cargo.site/w/800/i/67de1176bd405ffa54901cfdea7de68ee7a787b88494fe339d4536dd3281fa19/Typing-pool-8.jpg" /&#62;



	
	This iteration of&#38;nbsp;Typing pool was installed in the Kogarah library exhibition space for the [Un]contained Festival. I looped a continuous piece of paper through three typewriters (teal Olivetti; yellow Adler; orange Brother), and asked festival-goers to help me transcribe found text onto the loop.
Instructions:
Randomly choose a piece of text from the box.
Transcribe the text onto the paper loop, using one of the typewriters (up to three people can type at once).
When you have finished typing, put the text into your pocket.
Repeat these steps as many times as you like.

Typing pool artist statement.
Accompanying Typing Pool,&#38;nbsp;Open the window; open the door consists of prints on Torinoko paper and paper rolls, which I made while artist in residence at Carss Park in late 2019.


	

	Well I wonder / A map that interrupts itself
22 May – 6 JuneKogarah library exhibition space“The work in these cabinets dates from when I was a student
at Sydney College of the Arts, researching my Master of Fine Arts (2009–10). During that
time, I collected a range of found text and images, which I used as the basis
for zines, artist books and installations. I present this work here as an
insight into how my work has developed over the past decade.” 
	





&#60;img width="2400" height="1600" width_o="2400" height_o="1600" data-src="https://freight.cargo.site/t/original/i/c613d091b4469b8fd08395259b652d1ff75cc8a6770ca3ef32e2950f59e35e75/Well-I-wonder-1.jpg" data-mid="111293580" border="0"  src="https://freight.cargo.site/w/1000/i/c613d091b4469b8fd08395259b652d1ff75cc8a6770ca3ef32e2950f59e35e75/Well-I-wonder-1.jpg" /&#62;
&#60;img width="2400" height="1600" width_o="2400" height_o="1600" data-src="https://freight.cargo.site/t/original/i/58f37de351b4476e2d57804346085091be14f8d9e8b0720251d84d4143f98785/Well-I-wonder-2.jpg" data-mid="111293581" border="0"  src="https://freight.cargo.site/w/1000/i/58f37de351b4476e2d57804346085091be14f8d9e8b0720251d84d4143f98785/Well-I-wonder-2.jpg" /&#62;
&#60;img width="2400" height="1600" width_o="2400" height_o="1600" data-src="https://freight.cargo.site/t/original/i/51b108c418bf83ab25a72d7387b0534747aa9e1c5e702603a2575b44addacd1d/Well-I-wonder-3.jpg" data-mid="111293582" border="0"  src="https://freight.cargo.site/w/1000/i/51b108c418bf83ab25a72d7387b0534747aa9e1c5e702603a2575b44addacd1d/Well-I-wonder-3.jpg" /&#62;





	2021 projects
June:&#38;nbsp;Typing pool for&#38;nbsp;[Un]contained Festival 
Well I wonder/A map that interrupts himself and Open the window; open the door, Kogarah library exhibition space

	
&#60;img width="500" height="500" width_o="500" height_o="500" data-src="https://freight.cargo.site/t/original/i/7966ebec57d62f985eb5f8c19aca437897454cfc0925d18b51d5dcb54c77e4df/Emma-Davidson-2021-2.jpg" data-mid="117451439" border="0" alt="Typing Pool (detail)" data-caption="Typing Pool (detail)" src="https://freight.cargo.site/w/500/i/7966ebec57d62f985eb5f8c19aca437897454cfc0925d18b51d5dcb54c77e4df/Emma-Davidson-2021-2.jpg" /&#62;



</description>
		
	</item>
		
		
	<item>
		<title>2020</title>
				
		<link>https://emmadavidson.art/2020</link>

		<pubDate>Mon, 29 Jun 2020 04:59:33 +0000</pubDate>

		<dc:creator>Emma Davidson</dc:creator>

		<guid isPermaLink="true">https://emmadavidson.art/2020</guid>

		<description>
	2020Wall poem 1
18 June – 26 JulyHurstville Museum and Gallery


	



&#60;img width="2500" height="1340" width_o="2500" height_o="1340" data-src="https://freight.cargo.site/t/original/i/8d391278655cb5e1e695ce67aebff631af178f5c75ded72a55cd59adeb4f91d1/davidson_emma_wall_poem_1.jpg" data-mid="76914053" border="0"  src="https://freight.cargo.site/w/1000/i/8d391278655cb5e1e695ce67aebff631af178f5c75ded72a55cd59adeb4f91d1/davidson_emma_wall_poem_1.jpg" /&#62;

	&#60;img width="1000" height="750" width_o="1000" height_o="750" data-src="https://freight.cargo.site/t/original/i/9913d40d5f1933105b7b01cab68762ba9597bfd9bee6c1f7ceb450fb415b81e5/2020-Emma-Davidson-Wall-Poem-1-2.jpg" data-mid="75917938" border="0" data-scale="98" src="https://freight.cargo.site/w/1000/i/9913d40d5f1933105b7b01cab68762ba9597bfd9bee6c1f7ceb450fb415b81e5/2020-Emma-Davidson-Wall-Poem-1-2.jpg" /&#62;
‘Wall poem 1’ was made with phrases, sentences and fragments of text from old copies of National Geographic magazine, which I cut out, photocopied, and placed in an envelope. I selected text randomly from the envelope, and used hand-carved alphabet stamps to print them onto a large sheet of paper.


Thanks to my friend Anwen, who helped make this work.


	



	The theory of moral equivalence (X,O; O,X)

3–25 OctoberThe Dragon’s Lair, Hurstville Museum and Gallery
	


&#60;img width="6270" height="4361" width_o="6270" height_o="4361" data-src="https://freight.cargo.site/t/original/i/9edfe0e546f29acc62451424053689c343b57074bbf0770ef2e500e5d2b0197c/Emma-Davidson-2020The-theory-of-moral-equivalence-O-X.jpg" data-mid="88931558" border="0"  src="https://freight.cargo.site/w/1000/i/9edfe0e546f29acc62451424053689c343b57074bbf0770ef2e500e5d2b0197c/Emma-Davidson-2020The-theory-of-moral-equivalence-O-X.jpg" /&#62;
&#60;img width="6608" height="4216" width_o="6608" height_o="4216" data-src="https://freight.cargo.site/t/original/i/5573d9c3f38bcc7bd9535252f8977afc22235e297f8e4fff104a0b7d874d5d8f/Emma-Davidson-2020-The-theory-of-moral-equivalence-X-O.jpg" data-mid="88931557" border="0"  src="https://freight.cargo.site/w/1000/i/5573d9c3f38bcc7bd9535252f8977afc22235e297f8e4fff104a0b7d874d5d8f/Emma-Davidson-2020-The-theory-of-moral-equivalence-X-O.jpg" /&#62;

	2020 projects
May: Other Worlds online zine fair (experimental, coronavirus-proof online zine fair website by Other Worlds collective, of which I’m a member)
July: Wall Poem 1, Artbomb: connect + create

October: The theory of moral equivalence (X,O; O,X),&#38;nbsp;In the Park
	
&#60;img width="750" height="1334" width_o="750" height_o="1334" data-src="https://freight.cargo.site/t/original/i/df278423eb2c033171b898b172b7baabaabcad8232620d0b6402a7e3c58c47c8/2020-Screenshot-of-Emma-Davidson.jpg" data-mid="75917962" border="0" alt="It's just a screenshot, don't click it" data-caption="It's just a screenshot, don't click it" src="https://freight.cargo.site/w/750/i/df278423eb2c033171b898b172b7baabaabcad8232620d0b6402a7e3c58c47c8/2020-Screenshot-of-Emma-Davidson.jpg" /&#62;



</description>
		
	</item>
		
		
	<item>
		<title>2019</title>
				
		<link>https://emmadavidson.art/2019</link>

		<pubDate>Sat, 01 Feb 2020 02:25:09 +0000</pubDate>

		<dc:creator>Emma Davidson</dc:creator>

		<guid isPermaLink="true">https://emmadavidson.art/2019</guid>

		<description>
	2019

Carss Park Artist in Residence
29 October – 22 December 2019Carss Park Artist Cottage
Works in progress, and in-situ, while in residence.

	


&#60;img width="2409" height="2409" width_o="2409" height_o="2409" data-src="https://freight.cargo.site/t/original/i/4c7a4a93506e42a36596d5554c8def696c075394d066b0d5c6e4ef281c8071f2/Emma-Davidson-Carss-Park-AIR-1.jpg" data-mid="62426146" border="0"  src="https://freight.cargo.site/w/1000/i/4c7a4a93506e42a36596d5554c8def696c075394d066b0d5c6e4ef281c8071f2/Emma-Davidson-Carss-Park-AIR-1.jpg" /&#62;
&#60;img width="1469" height="1469" width_o="1469" height_o="1469" data-src="https://freight.cargo.site/t/original/i/5228ebeda102987975f74a3edd1cebc3a4f9422c2dbbbc642e06bb5845f09b52/Emma-Davidson-Carss-Park-AIR-8.jpg" data-mid="62426153" border="0"  src="https://freight.cargo.site/w/1000/i/5228ebeda102987975f74a3edd1cebc3a4f9422c2dbbbc642e06bb5845f09b52/Emma-Davidson-Carss-Park-AIR-8.jpg" /&#62;
&#60;img width="1469" height="1469" width_o="1469" height_o="1469" data-src="https://freight.cargo.site/t/original/i/ac1d75d3d7d4d4701d3b58df7e06279f1ec30ee77aad019fa589107ab7128935/Emma-Davidson-Carss-Park-AIR-9.jpg" data-mid="62426154" border="0"  src="https://freight.cargo.site/w/1000/i/ac1d75d3d7d4d4701d3b58df7e06279f1ec30ee77aad019fa589107ab7128935/Emma-Davidson-Carss-Park-AIR-9.jpg" /&#62;
&#60;img width="1469" height="1469" width_o="1469" height_o="1469" data-src="https://freight.cargo.site/t/original/i/1fc61d4ce746c325d2c937450ea35cb66fa62d26464e084b7b4a53c010af298e/Emma-Davidson-Carss-Park-AIR-39.jpg" data-mid="62426193" border="0"  src="https://freight.cargo.site/w/1000/i/1fc61d4ce746c325d2c937450ea35cb66fa62d26464e084b7b4a53c010af298e/Emma-Davidson-Carss-Park-AIR-39.jpg" /&#62;
&#60;img width="1469" height="1469" width_o="1469" height_o="1469" data-src="https://freight.cargo.site/t/original/i/9a9d8c501ab46d7d9a03a732c3922fbd704261c66ecfd5137c6ebdbea471b2e4/Emma-Davidson-Carss-Park-AIR-38.jpg" data-mid="62426192" border="0"  src="https://freight.cargo.site/w/1000/i/9a9d8c501ab46d7d9a03a732c3922fbd704261c66ecfd5137c6ebdbea471b2e4/Emma-Davidson-Carss-Park-AIR-38.jpg" /&#62;
&#60;img width="1235" height="1646" width_o="1235" height_o="1646" data-src="https://freight.cargo.site/t/original/i/2d32d767ef3fa2d96e033262c32ab3246b7aa2a8624054c88c2b35817741c685/Emma-Davidson-Carss-Park-AIR-10.jpg" data-mid="62426155" border="0"  src="https://freight.cargo.site/w/1000/i/2d32d767ef3fa2d96e033262c32ab3246b7aa2a8624054c88c2b35817741c685/Emma-Davidson-Carss-Park-AIR-10.jpg" /&#62;

Hand-carved rubber stamps used to make relief prints on Torinoko paper

&#60;img width="1000" height="1334" width_o="1000" height_o="1334" data-src="https://freight.cargo.site/t/original/i/e11cda9c68c21be7fa0f9f36678b7ae29bbb866070e24ad1fe9ea03ddc2f72db/Emma-Davidson-Containment-lines.jpg" data-mid="70648033" border="0" alt="&#38;lsquo;Containment lines&#38;rsquo;, relief print on Torinoko paper" data-caption="‘Containment lines’, relief print on Torinoko paper" src="https://freight.cargo.site/w/1000/i/e11cda9c68c21be7fa0f9f36678b7ae29bbb866070e24ad1fe9ea03ddc2f72db/Emma-Davidson-Containment-lines.jpg" /&#62;



&#60;img width="1469" height="1469" width_o="1469" height_o="1469" data-src="https://freight.cargo.site/t/original/i/9c9a0d1e78006410270fae6a75d795501fe0ae7da875ed369ac49df1598ee938/Emma-Davidson-Carss-Park-AIR-23.jpg" data-mid="62426178" border="0"  src="https://freight.cargo.site/w/1000/i/9c9a0d1e78006410270fae6a75d795501fe0ae7da875ed369ac49df1598ee938/Emma-Davidson-Carss-Park-AIR-23.jpg" /&#62;
&#60;img width="881" height="881" width_o="881" height_o="881" data-src="https://freight.cargo.site/t/original/i/f32bc4685b9618d6f0f2d75806e6f8c30bba39f6e99ea14093504a1addb5d100/Emma-Davidsonall-or-nothing18.jpg" data-mid="65290147" border="0"  src="https://freight.cargo.site/w/881/i/f32bc4685b9618d6f0f2d75806e6f8c30bba39f6e99ea14093504a1addb5d100/Emma-Davidsonall-or-nothing18.jpg" /&#62;
&#60;img width="881" height="881" width_o="881" height_o="881" data-src="https://freight.cargo.site/t/original/i/c95c62a5efce4358a6f0eecc888fb0e9bbd766171b33a273e048dd8462f65672/Emma-Davidsonall-or-nothing17.jpg" data-mid="65290146" border="0"  src="https://freight.cargo.site/w/881/i/c95c62a5efce4358a6f0eecc888fb0e9bbd766171b33a273e048dd8462f65672/Emma-Davidsonall-or-nothing17.jpg" /&#62;
&#60;img width="881" height="881" width_o="881" height_o="881" data-src="https://freight.cargo.site/t/original/i/c1303a88d3518c6f3de064dbfb7d3159efba0af6cfc62ccab413579842ef8016/Emma-Davidsonall-or-nothing16.jpg" data-mid="65290145" border="0"  src="https://freight.cargo.site/w/881/i/c1303a88d3518c6f3de064dbfb7d3159efba0af6cfc62ccab413579842ef8016/Emma-Davidsonall-or-nothing16.jpg" /&#62;
‘A kind of invisible skin’, relief print on paper roll
	2019 projects

Nov–Dec:&#38;nbsp;Carss Park Artist in Residence

November: ‘Untitled (x’s)’ and ‘Para no sentierme solo, por los siglos de los siglos’,&#38;nbsp;SNO 165: l.a.n.g.u.a.g.e, Sydney Non Objective


	&#60;img width="1444" height="1444" width_o="1444" height_o="1444" data-src="https://freight.cargo.site/t/original/i/8b6846a05462b9686410454f3de34d70eaa67316c1342d8ff5f2dcb050d720d0/Emma-Davidson-Carss-Park-AIR-55.jpg" data-mid="62426219" border="0"  src="https://freight.cargo.site/w/1000/i/8b6846a05462b9686410454f3de34d70eaa67316c1342d8ff5f2dcb050d720d0/Emma-Davidson-Carss-Park-AIR-55.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>2011–2018</title>
				
		<link>https://emmadavidson.art/2011-2018</link>

		<pubDate>Sat, 01 Feb 2020 02:09:43 +0000</pubDate>

		<dc:creator>Emma Davidson</dc:creator>

		<guid isPermaLink="true">https://emmadavidson.art/2011-2018</guid>

		<description>
	
	2011–18


	





&#60;img width="2407" height="3554" width_o="2407" height_o="3554" data-src="https://freight.cargo.site/t/original/i/457e67a8268e37024abd9c913a18f436e21e293ae2eb25b43c1c592a2fd7becc/Emma-Davidsonall-or-nothing7.jpg" data-mid="65278716" border="0"  src="https://freight.cargo.site/w/1000/i/457e67a8268e37024abd9c913a18f436e21e293ae2eb25b43c1c592a2fd7becc/Emma-Davidsonall-or-nothing7.jpg" /&#62;
&#60;img width="2597" height="3657" width_o="2597" height_o="3657" data-src="https://freight.cargo.site/t/original/i/b66a0ac0a17647ed137261438a06915119bb678d7be14a6763d63452a24dbb4f/Emma-Davidsonall-or-nothing9.jpg" data-mid="65278721" border="0"  src="https://freight.cargo.site/w/1000/i/b66a0ac0a17647ed137261438a06915119bb678d7be14a6763d63452a24dbb4f/Emma-Davidsonall-or-nothing9.jpg" /&#62;
&#60;img width="1689" height="1404" width_o="1689" height_o="1404" data-src="https://freight.cargo.site/t/original/i/f03a68e9e4c4431f55db370d7cdcabcdc24f5bf933412971d06b853e039311cf/Emma-Davidsonall-or-nothing.jpg" data-mid="65278702" border="0"  src="https://freight.cargo.site/w/1000/i/f03a68e9e4c4431f55db370d7cdcabcdc24f5bf933412971d06b853e039311cf/Emma-Davidsonall-or-nothing.jpg" /&#62;
&#60;img width="2291" height="3105" width_o="2291" height_o="3105" data-src="https://freight.cargo.site/t/original/i/d14e2aaee3c4d595ee333baa00c073702c50d36527798a77179cd502c37aee9a/Emma-Davidsonall-or-nothing3.jpg" data-mid="65278706" border="0"  src="https://freight.cargo.site/w/1000/i/d14e2aaee3c4d595ee333baa00c073702c50d36527798a77179cd502c37aee9a/Emma-Davidsonall-or-nothing3.jpg" /&#62;
&#60;img width="3600" height="2264" width_o="3600" height_o="2264" data-src="https://freight.cargo.site/t/original/i/2697ee88e7d6d734906e521d097105838b06e39dde64d86327d085ef8893fc79/Emma-Davidson_2018-8.jpg" data-mid="65278694" border="0"  src="https://freight.cargo.site/w/1000/i/2697ee88e7d6d734906e521d097105838b06e39dde64d86327d085ef8893fc79/Emma-Davidson_2018-8.jpg" /&#62;
&#60;img width="2337" height="3163" width_o="2337" height_o="3163" data-src="https://freight.cargo.site/t/original/i/1d70f490b26c4f2136443dc99c84d64c663fd4f5d73fd3a7e5b1ed3e8086bf86/Emma-Davidsonall-or-nothing2.jpg" data-mid="65278705" border="0"  src="https://freight.cargo.site/w/1000/i/1d70f490b26c4f2136443dc99c84d64c663fd4f5d73fd3a7e5b1ed3e8086bf86/Emma-Davidsonall-or-nothing2.jpg" /&#62;
&#60;img width="1775" height="2377" width_o="1775" height_o="2377" data-src="https://freight.cargo.site/t/original/i/20fccf45e57aca457faa5548493449a34bc14aef797712d766b9b49ec2e0c953/Emma-Davidsonall-or-nothing5.jpg" data-mid="65278711" border="0"  src="https://freight.cargo.site/w/1000/i/20fccf45e57aca457faa5548493449a34bc14aef797712d766b9b49ec2e0c953/Emma-Davidsonall-or-nothing5.jpg" /&#62;
&#60;img width="2400" height="3600" width_o="2400" height_o="3600" data-src="https://freight.cargo.site/t/original/i/32b2633935b1d7afa3ac9d338d8d61b9936eab17b78632990aec1d5314bef45a/Emma-Davidsonall-or-nothing12.jpg" data-mid="65278731" border="0"  src="https://freight.cargo.site/w/1000/i/32b2633935b1d7afa3ac9d338d8d61b9936eab17b78632990aec1d5314bef45a/Emma-Davidsonall-or-nothing12.jpg" /&#62;
&#60;img width="2345" height="3140" width_o="2345" height_o="3140" data-src="https://freight.cargo.site/t/original/i/4f06f6f846e10facb657a3613f08aa5fff07fdb552379d7cb915c5ebeb0b2233/Emma-Davidsonall-or-nothing11.jpg" data-mid="65278729" border="0"  src="https://freight.cargo.site/w/1000/i/4f06f6f846e10facb657a3613f08aa5fff07fdb552379d7cb915c5ebeb0b2233/Emma-Davidsonall-or-nothing11.jpg" /&#62;
&#60;img width="2606" height="3628" width_o="2606" height_o="3628" data-src="https://freight.cargo.site/t/original/i/0f081629b051a0729c70dc12a01dddeb62f3dd01806562437cef5f11191d6379/Emma-Davidsonall-or-nothing10.jpg" data-mid="65278723" border="0"  src="https://freight.cargo.site/w/1000/i/0f081629b051a0729c70dc12a01dddeb62f3dd01806562437cef5f11191d6379/Emma-Davidsonall-or-nothing10.jpg" /&#62;
&#60;img width="2259" height="2446" width_o="2259" height_o="2446" data-src="https://freight.cargo.site/t/original/i/67937162a32a21183f4f9583e7fb355632a96cfd40a01bd0bdfae3694a06436a/Emma-Davidsonall-or-nothing4.jpg" data-mid="65278709" border="0"  src="https://freight.cargo.site/w/1000/i/67937162a32a21183f4f9583e7fb355632a96cfd40a01bd0bdfae3694a06436a/Emma-Davidsonall-or-nothing4.jpg" /&#62;
&#60;img width="2561" height="3599" width_o="2561" height_o="3599" data-src="https://freight.cargo.site/t/original/i/7726fda2d6c00ea9f62a6a6828b346428cff5a729a50be2d936be6a6a4d1277d/Emma-Davidsonall-or-nothing8.jpg" data-mid="65289026" border="0"  src="https://freight.cargo.site/w/1000/i/7726fda2d6c00ea9f62a6a6828b346428cff5a729a50be2d936be6a6a4d1277d/Emma-Davidsonall-or-nothing8.jpg" /&#62;
&#60;img width="3600" height="2400" width_o="3600" height_o="2400" data-src="https://freight.cargo.site/t/original/i/78904dda9cf404f57151ceefbff5b579518ca01e1faadd639c90575b6f61abf1/Emma-Davidsonall-or-nothing15.jpg" data-mid="65289614" border="0"  src="https://freight.cargo.site/w/1000/i/78904dda9cf404f57151ceefbff5b579518ca01e1faadd639c90575b6f61abf1/Emma-Davidsonall-or-nothing15.jpg" /&#62;
&#60;img width="3600" height="2400" width_o="3600" height_o="2400" data-src="https://freight.cargo.site/t/original/i/4052829d986e4c8c356608b56dbe75d3fe961651e8a4201f5103659e6015bef3/Emma-Davidson_2018-9.jpg" data-mid="65278696" border="0"  src="https://freight.cargo.site/w/1000/i/4052829d986e4c8c356608b56dbe75d3fe961651e8a4201f5103659e6015bef3/Emma-Davidson_2018-9.jpg" /&#62;
&#60;img width="1619" height="2645" width_o="1619" height_o="2645" data-src="https://freight.cargo.site/t/original/i/776e780c2094242f0dc3685511007a8c483c1ddc55c0de351c690ec86721b9c6/Emma-Davidsonall-or-nothing6.jpg" data-mid="65278713" border="0"  src="https://freight.cargo.site/w/1000/i/776e780c2094242f0dc3685511007a8c483c1ddc55c0de351c690ec86721b9c6/Emma-Davidsonall-or-nothing6.jpg" /&#62;
&#60;img width="2413" height="3246" width_o="2413" height_o="3246" data-src="https://freight.cargo.site/t/original/i/d24f2171ab44552cc4b1025b2d38d6fbfce0191a4a15473e18354701c0c7988b/Emma-Davidsonall-or-nothing14.jpg" data-mid="65289365" border="0"  src="https://freight.cargo.site/w/1000/i/d24f2171ab44552cc4b1025b2d38d6fbfce0191a4a15473e18354701c0c7988b/Emma-Davidsonall-or-nothing14.jpg" /&#62;
&#60;img width="2371" height="3583" width_o="2371" height_o="3583" data-src="https://freight.cargo.site/t/original/i/71df5cdbc1d1d93d65dd08be3dfa92b5bf8287b974e64a1ceb05d33c63f8034c/Emma-Davidsonall-or-nothing13.jpg" data-mid="65279633" border="0"  src="https://freight.cargo.site/w/1000/i/71df5cdbc1d1d93d65dd08be3dfa92b5bf8287b974e64a1ceb05d33c63f8034c/Emma-Davidsonall-or-nothing13.jpg" /&#62;



	‘All or nothing’, Chrissie Cotter Gallery 2018 (assorted collages and small works on paper made between 2011 and 2018. See also Typing pool)







&#60;img width="1227" height="1718" width_o="1227" height_o="1718" data-src="https://freight.cargo.site/t/original/i/56b2d6c1aa796e5e888e9d1efc6f6c00075adc7475feeda0e321a6891a2360da/Emma-Davidson_2011_2.jpg" data-mid="61379757" border="0"  src="https://freight.cargo.site/w/1000/i/56b2d6c1aa796e5e888e9d1efc6f6c00075adc7475feeda0e321a6891a2360da/Emma-Davidson_2011_2.jpg" /&#62;
&#60;img width="1172" height="1668" width_o="1172" height_o="1668" data-src="https://freight.cargo.site/t/original/i/4ce80e5e8f47ae6c4f6b50cfe5dbaa5c821234d6eb1b5fd942c64a3b2036f3cf/Emma-Davidson_2011.jpg" data-mid="61379759" border="0"  src="https://freight.cargo.site/w/1000/i/4ce80e5e8f47ae6c4f6b50cfe5dbaa5c821234d6eb1b5fd942c64a3b2036f3cf/Emma-Davidson_2011.jpg" /&#62;
&#60;img width="1490" height="1105" width_o="1490" height_o="1105" data-src="https://freight.cargo.site/t/original/i/9e5546a470e5b388aca7524b32af8ca753119e8b1af7e1282a70fce281990312/Emma-Davidson_2011_11.jpg" data-mid="61378732" border="0"  src="https://freight.cargo.site/w/1000/i/9e5546a470e5b388aca7524b32af8ca753119e8b1af7e1282a70fce281990312/Emma-Davidson_2011_11.jpg" /&#62;
&#60;img width="1173" height="1589" width_o="1173" height_o="1589" data-src="https://freight.cargo.site/t/original/i/43ec61b22067d03ab6f656b75ead52861a377500a1b682e615c62a8f724fe9b9/Emma-Davidson_2011_12.jpg" data-mid="61378093" border="0"  src="https://freight.cargo.site/w/1000/i/43ec61b22067d03ab6f656b75ead52861a377500a1b682e615c62a8f724fe9b9/Emma-Davidson_2011_12.jpg" /&#62;
&#60;img width="1483" height="1058" width_o="1483" height_o="1058" data-src="https://freight.cargo.site/t/original/i/24074541d7b63b3dd9e6b01d4f3ca8ff057f7b9df1040344ae46d17848ad5283/Emma-Davidson_2011_3.jpg" data-mid="61378375" border="0"  src="https://freight.cargo.site/w/1000/i/24074541d7b63b3dd9e6b01d4f3ca8ff057f7b9df1040344ae46d17848ad5283/Emma-Davidson_2011_3.jpg" /&#62;
&#60;img width="1238" height="1725" width_o="1238" height_o="1725" data-src="https://freight.cargo.site/t/original/i/a4c4b7ace032b0ff41604c846a839770c0309a07bb8a16c8b61dc40cce57b056/Emma-Davidson_2011_6.jpg" data-mid="61378383" border="0"  src="https://freight.cargo.site/w/1000/i/a4c4b7ace032b0ff41604c846a839770c0309a07bb8a16c8b61dc40cce57b056/Emma-Davidson_2011_6.jpg" /&#62;
&#60;img width="1321" height="921" width_o="1321" height_o="921" data-src="https://freight.cargo.site/t/original/i/60f511a86adab5c4198f4d9088d9f697d58c47fce37f6c54f6627e4c2c6556d8/Emma-Davidson_2011_9.jpg" data-mid="61378730" border="0"  src="https://freight.cargo.site/w/1000/i/60f511a86adab5c4198f4d9088d9f697d58c47fce37f6c54f6627e4c2c6556d8/Emma-Davidson_2011_9.jpg" /&#62;
&#60;img width="776" height="919" width_o="776" height_o="919" data-src="https://freight.cargo.site/t/original/i/e6ee9903e33169ebea1039a8f803df81bc42804b0f39d1051e9f2cbbf0d64aa2/Emma-Davidson_2011_8.jpg" data-mid="61378103" border="0"  src="https://freight.cargo.site/w/776/i/e6ee9903e33169ebea1039a8f803df81bc42804b0f39d1051e9f2cbbf0d64aa2/Emma-Davidson_2011_8.jpg" /&#62;


	Photocopy collage experiments, texta and found text on photocopies, and colour multi-layer photocopy experiments, 2011-12



	&#60;img width="852" height="1200" width_o="852" height_o="1200" data-src="https://freight.cargo.site/t/original/i/c0ecdf8e5409ebcb12ad1f639dd8b51247fee0ce9bc3f1dce8518669f7ca904b/Emma-Davidson_2012.jpg" data-mid="61378838" border="0"  src="https://freight.cargo.site/w/852/i/c0ecdf8e5409ebcb12ad1f639dd8b51247fee0ce9bc3f1dce8518669f7ca904b/Emma-Davidson_2012.jpg" /&#62;
Photocopy experiment, 2011


	Selected exhibitions 2011–18
2018: ‘All or nothing’, Chrissie Cotter Gallery
2017: ‘Number 20’ (with Tim U.),&#38;nbsp;Sticky Institute 
2015: ‘Through the window and out the back door’, Sticky Institute
‘We have yet to penetrate into their art galleries’ and ‘A visitor from space’, Second Circulation, Verge gallery
‘What possessed you’ Noted Experimental Writers’ Festival (digital program)
2013: ‘In the window and on the back wall’,&#38;nbsp;Cubed Craft Window Walk,&#38;nbsp;Sticky Institute
2012: ‘Risk and chance’,&#38;nbsp;National Young Writers’ Festival, Newcastle
2011: ‘All circles vanish’ (with Anwen Crawford), Streetware temporary art program, Nithsdale Lane Sydney
See also: Dexter Fletcher
</description>
		
	</item>
		
		
	<item>
		<title>2002–2010</title>
				
		<link>https://emmadavidson.art/2002-2010</link>

		<pubDate>Mon, 17 Feb 2020 05:49:41 +0000</pubDate>

		<dc:creator>Emma Davidson</dc:creator>

		<guid isPermaLink="true">https://emmadavidson.art/2002-2010</guid>

		<description>
	2002–10

	


&#60;img width="1205" height="1525" width_o="1205" height_o="1525" data-src="https://freight.cargo.site/t/original/i/99ee9c1d9621421ba4e820297344f0363fe87a284cd4870158197552e72d96ec/Emma-Davidson_2008_3.jpg" data-mid="61380392" border="0" alt="From &#38;lsquo;Collision with a frogman&#38;rsquo;, found images on paper, 2008" data-caption="From ‘Collision with a frogman’, found images on paper, 2008" src="https://freight.cargo.site/w/1000/i/99ee9c1d9621421ba4e820297344f0363fe87a284cd4870158197552e72d96ec/Emma-Davidson_2008_3.jpg" /&#62;
&#60;img width="1219" height="1538" width_o="1219" height_o="1538" data-src="https://freight.cargo.site/t/original/i/d8f3ddf821084e069f8a0e6d2e8ca38a2d570f75b6ef9df65468aa44459c7655/Emma-Davidson_2008_2.jpg" data-mid="61380391" border="0"  src="https://freight.cargo.site/w/1000/i/d8f3ddf821084e069f8a0e6d2e8ca38a2d570f75b6ef9df65468aa44459c7655/Emma-Davidson_2008_2.jpg" /&#62;
&#60;img width="1187" height="1506" width_o="1187" height_o="1506" data-src="https://freight.cargo.site/t/original/i/ec843101b816c4c6e514a8048e2abeede35eb6258a00e0ddee483c3aa9becb1c/Emma-Davidson_2008_3.jpg.jpg" data-mid="61380393" border="0"  src="https://freight.cargo.site/w/1000/i/ec843101b816c4c6e514a8048e2abeede35eb6258a00e0ddee483c3aa9becb1c/Emma-Davidson_2008_3.jpg.jpg" /&#62;







&#60;img width="1216" height="817" width_o="1216" height_o="817" data-src="https://freight.cargo.site/t/original/i/335cffe9b4212bb0126a4c84e707653e911b04f40eb2cf12d8e73864c50830ec/Emma-Davidson_2011_15.jpg" data-mid="61380427" border="0" alt="From &#38;lsquo;Pastoral scenes&#38;rsquo;, ink and collage on found images, 2010" data-caption="From ‘Pastoral scenes’, ink and collage on found images, 2010" src="https://freight.cargo.site/w/1000/i/335cffe9b4212bb0126a4c84e707653e911b04f40eb2cf12d8e73864c50830ec/Emma-Davidson_2011_15.jpg" /&#62;




&#60;img width="479" height="640" width_o="479" height_o="640" data-src="https://freight.cargo.site/t/original/i/96a503c804e42a762f61b790d39c86c80ef1557f0b2e90a73bececfe68776615/Emma-Davidson_2010_6jpg.jpg" data-mid="61380495" border="0"  src="https://freight.cargo.site/w/479/i/96a503c804e42a762f61b790d39c86c80ef1557f0b2e90a73bececfe68776615/Emma-Davidson_2010_6jpg.jpg" /&#62;
&#60;img width="1109" height="1109" width_o="1109" height_o="1109" data-src="https://freight.cargo.site/t/original/i/df51de2cc27d80a5575640e79f1c09edb54e77c627835d56e0ffef693b4a2444/Emma-Davidson_2010_10.jpg" data-mid="61380499" border="0"  src="https://freight.cargo.site/w/1000/i/df51de2cc27d80a5575640e79f1c09edb54e77c627835d56e0ffef693b4a2444/Emma-Davidson_2010_10.jpg" /&#62;
&#60;img width="1016" height="1454" width_o="1016" height_o="1454" data-src="https://freight.cargo.site/t/original/i/b09c951f4db43cec072af0ef2eaa8ef76e6c383a74f3c6ed86120c2d94ef154c/Emma-Davidson_2010_12.jpg" data-mid="61380501" border="0"  src="https://freight.cargo.site/w/1000/i/b09c951f4db43cec072af0ef2eaa8ef76e6c383a74f3c6ed86120c2d94ef154c/Emma-Davidson_2010_12.jpg" /&#62;
&#60;img width="1028" height="1461" width_o="1028" height_o="1461" data-src="https://freight.cargo.site/t/original/i/786723fd3c9369d14ccd90ba4ad0addf36b147a0384089c105fce990d3427eec/Emma-Davidson_2010_11.jpg" data-mid="61380500" border="0"  src="https://freight.cargo.site/w/1000/i/786723fd3c9369d14ccd90ba4ad0addf36b147a0384089c105fce990d3427eec/Emma-Davidson_2010_11.jpg" /&#62;
&#60;img width="428" height="672" width_o="428" height_o="672" data-src="https://freight.cargo.site/t/original/i/47478bcb89cc0e83bb2c74dd0e28f9629b9adf80170e45542c89d99a4bae26f5/Emma-Davidson_2010_7.jpg" data-mid="61380496" border="0"  src="https://freight.cargo.site/w/428/i/47478bcb89cc0e83bb2c74dd0e28f9629b9adf80170e45542c89d99a4bae26f5/Emma-Davidson_2010_7.jpg" /&#62;
&#60;img width="1164" height="1399" width_o="1164" height_o="1399" data-src="https://freight.cargo.site/t/original/i/521c6bffc67c276615ffdec5726ccb653ebdd171ff11a391eb7e8e8204c01078/Emma-Davidson_2010_5.jpg" data-mid="61380494" border="0"  src="https://freight.cargo.site/w/1000/i/521c6bffc67c276615ffdec5726ccb653ebdd171ff11a391eb7e8e8204c01078/Emma-Davidson_2010_5.jpg" /&#62;
&#60;img width="740" height="269" width_o="740" height_o="269" data-src="https://freight.cargo.site/t/original/i/eee725af5b18189ca289bce0628267c24970b5ddf1fb6c329f2f58ce29a9e182/Emma-Davidson_2010_8.jpg" data-mid="61380746" border="0"  src="https://freight.cargo.site/w/740/i/eee725af5b18189ca289bce0628267c24970b5ddf1fb6c329f2f58ce29a9e182/Emma-Davidson_2010_8.jpg" /&#62;


	Some of the images, text and other found/stolen material I used in various configurations throughout 2009-10 (’Well I wonder’, ‘Digging’, ‘Another window with a different view’, ‘A map that interrupts itself’)






&#60;img width="1235" height="836" width_o="1235" height_o="836" data-src="https://freight.cargo.site/t/original/i/a5b274f409029dde53b79a3278318ed92e757a9c74416687832e754bab44e01f/Emma-Davidson_2010_13.jpg" data-mid="61381104" border="0"  src="https://freight.cargo.site/w/1000/i/a5b274f409029dde53b79a3278318ed92e757a9c74416687832e754bab44e01f/Emma-Davidson_2010_13.jpg" /&#62;
&#60;img width="375" height="500" width_o="375" height_o="500" data-src="https://freight.cargo.site/t/original/i/67d1c5df48898f0531cbd23bb63adc5ebac86e4249ebaf94522011b44fd69409/Emma-Davidson_2010_3.jpg" data-mid="61381102" border="0"  src="https://freight.cargo.site/w/375/i/67d1c5df48898f0531cbd23bb63adc5ebac86e4249ebaf94522011b44fd69409/Emma-Davidson_2010_3.jpg" /&#62;
&#60;img width="375" height="500" width_o="375" height_o="500" data-src="https://freight.cargo.site/t/original/i/82eb8a9e4c716b7f131be61a670500f1fb80c01c0b96937abd2dde1ddb578283/Emma-Davidson_2010_2.jpg" data-mid="61381101" border="0"  src="https://freight.cargo.site/w/375/i/82eb8a9e4c716b7f131be61a670500f1fb80c01c0b96937abd2dde1ddb578283/Emma-Davidson_2010_2.jpg" /&#62;
&#60;img width="375" height="500" width_o="375" height_o="500" data-src="https://freight.cargo.site/t/original/i/73cf44b98ee037f0d28c635abfeecfb22491fad1a22cd90241e01ddd479f9b43/Emma-Davidson_2010.jpg" data-mid="61381106" border="0"  src="https://freight.cargo.site/w/375/i/73cf44b98ee037f0d28c635abfeecfb22491fad1a22cd90241e01ddd479f9b43/Emma-Davidson_2010.jpg" /&#62;
&#60;img width="972" height="1296" width_o="972" height_o="1296" data-src="https://freight.cargo.site/t/original/i/20a1df6048bcd05cb3f084692d22b8f9970935c94b552a9f59fa71a859493628/Emma-Davidson_2010_4.jpg" data-mid="61381103" border="0"  src="https://freight.cargo.site/w/972/i/20a1df6048bcd05cb3f084692d22b8f9970935c94b552a9f59fa71a859493628/Emma-Davidson_2010_4.jpg" /&#62;
&#60;img width="676" height="874" width_o="676" height_o="874" data-src="https://freight.cargo.site/t/original/i/58e667bfb0229eb0133fcfdd186744e28e4f09c878c91d60cb39333e170f825d/Emma-Davidson_2010_14.jpg" data-mid="61381105" border="0"  src="https://freight.cargo.site/w/676/i/58e667bfb0229eb0133fcfdd186744e28e4f09c878c91d60cb39333e170f825d/Emma-Davidson_2010_14.jpg" /&#62;



	‘Another window with a different view’, Sydney College of the Arts postgraduate degree show, 2010 (bottom three photos Unseen Magazine Blog 2010/11, photographer unknown)






&#60;img width="941" height="1338" width_o="941" height_o="1338" data-src="https://freight.cargo.site/t/original/i/a571eaa26461ed815d3e3bfa2a2b55b5c323a364e48ec1ccdd32a86cdfdb50ab/Emma-Davidson_2010_16.jpg" data-mid="61464870" border="0"  src="https://freight.cargo.site/w/941/i/a571eaa26461ed815d3e3bfa2a2b55b5c323a364e48ec1ccdd32a86cdfdb50ab/Emma-Davidson_2010_16.jpg" /&#62;
&#60;img width="1152" height="1472" width_o="1152" height_o="1472" data-src="https://freight.cargo.site/t/original/i/4139f5506d53b0298b1900a20c1340445bf4c53d1e74d37729ef421b855d69b9/Emma-Davidson_2010_14.jpg" data-mid="61381918" border="0"  src="https://freight.cargo.site/w/1000/i/4139f5506d53b0298b1900a20c1340445bf4c53d1e74d37729ef421b855d69b9/Emma-Davidson_2010_14.jpg" /&#62;


	‘What noise in the street!’, single edition artist book (colour and black and white multi-layer photocopies in re-purposed exercise book cover), 2010 and ‘A map that interrupts itself’, unlimted edition free zine, 2010






&#60;img width="1800" height="1217" width_o="1800" height_o="1217" data-src="https://freight.cargo.site/t/original/i/b2c51d88555807aefe47e9fcc4c5d3ce7de4118f3c59a2cc6df4f366084fa419/Astronauts-are-not-Excitable-instal-view-2010--2.jpg" data-mid="104705222" border="0"  src="https://freight.cargo.site/w/1000/i/b2c51d88555807aefe47e9fcc4c5d3ce7de4118f3c59a2cc6df4f366084fa419/Astronauts-are-not-Excitable-instal-view-2010--2.jpg" /&#62;
&#60;img width="800" height="601" width_o="800" height_o="601" data-src="https://freight.cargo.site/t/original/i/368bcedc33f3f62acf60956a10d2c842b889cb87530d77565a0634e255997f67/Nithsdale-lane.jpg" data-mid="104705231" border="0"  src="https://freight.cargo.site/w/800/i/368bcedc33f3f62acf60956a10d2c842b889cb87530d77565a0634e255997f67/Nithsdale-lane.jpg" /&#62;
&#60;img width="1200" height="1832" width_o="1200" height_o="1832" data-src="https://freight.cargo.site/t/original/i/f9a55a0951e03200e6a49d836292e693dd16d8aecf6b0e603788b95bd9f1a51f/Astronauts-interior-of-space-capsule.jpg" data-mid="104705223" border="0"  src="https://freight.cargo.site/w/1000/i/f9a55a0951e03200e6a49d836292e693dd16d8aecf6b0e603788b95bd9f1a51f/Astronauts-interior-of-space-capsule.jpg" /&#62;
&#60;img width="812" height="1152" width_o="812" height_o="1152" data-src="https://freight.cargo.site/t/original/i/470fae1e109c08e6ce347b83c1a4397383928e516db3c3752e4bb41ff0de17c0/everything-including-the-astronaut.jpg" data-mid="104713036" border="0"  src="https://freight.cargo.site/w/812/i/470fae1e109c08e6ce347b83c1a4397383928e516db3c3752e4bb41ff0de17c0/everything-including-the-astronaut.jpg" /&#62;
&#60;img width="809" height="1076" width_o="809" height_o="1076" data-src="https://freight.cargo.site/t/original/i/7621f1415b1fd6df508d1bfe3f554921ea46a80e3e562a0b069f36b8df528b3c/These-are-not-idle-pipe-dreams-nithdale-lane.jpg" data-mid="104707367" border="0"  src="https://freight.cargo.site/w/809/i/7621f1415b1fd6df508d1bfe3f554921ea46a80e3e562a0b069f36b8df528b3c/These-are-not-idle-pipe-dreams-nithdale-lane.jpg" /&#62;
&#60;img width="989" height="1396" width_o="989" height_o="1396" data-src="https://freight.cargo.site/t/original/i/c13a5b799496237303805709fe706f035ddfb7085005e95c3f381f7fab68a3ea/Not-idle-pipe-dreams.jpg" data-mid="104713037" border="0"  src="https://freight.cargo.site/w/989/i/c13a5b799496237303805709fe706f035ddfb7085005e95c3f381f7fab68a3ea/Not-idle-pipe-dreams.jpg" /&#62;
&#60;img width="619" height="876" width_o="619" height_o="876" data-src="https://freight.cargo.site/t/original/i/371c9d2652830f35b7ea3c54d6a792fd2408af85d837a78881c2a33e19c94f38/astronauts-are-not.jpg" data-mid="104713035" border="0"  src="https://freight.cargo.site/w/619/i/371c9d2652830f35b7ea3c54d6a792fd2408af85d837a78881c2a33e19c94f38/astronauts-are-not.jpg" /&#62;
&#60;img width="660" height="941" width_o="660" height_o="941" data-src="https://freight.cargo.site/t/original/i/58a77666095af43b36d1c079e4955281194fcd382641eb082ec2f35dad531e59/why-did-they-worry.jpg" data-mid="104713656" border="0"  src="https://freight.cargo.site/w/660/i/58a77666095af43b36d1c079e4955281194fcd382641eb082ec2f35dad531e59/why-did-they-worry.jpg" /&#62;
&#60;img width="540" height="720" width_o="540" height_o="720" data-src="https://freight.cargo.site/t/original/i/44c75263a33f8a8ebabc014d196cbaefbfabacb89cf164c1545b715f69e0bf40/Mercury-capsule-pic-by-Meggs-x.jpg" data-mid="104705465" border="0"  src="https://freight.cargo.site/w/540/i/44c75263a33f8a8ebabc014d196cbaefbfabacb89cf164c1545b715f69e0bf40/Mercury-capsule-pic-by-Meggs-x.jpg" /&#62;
&#60;img width="815" height="1154" width_o="815" height_o="1154" data-src="https://freight.cargo.site/t/original/i/71fb5e8717f785efd8b636d328f1e7e656778e1d5e6ebcc78ba1f81c0ac825ae/there-he-would-walk-in-space.jpg" data-mid="104713038" border="0"  src="https://freight.cargo.site/w/815/i/71fb5e8717f785efd8b636d328f1e7e656778e1d5e6ebcc78ba1f81c0ac825ae/there-he-would-walk-in-space.jpg" /&#62;
&#60;img width="661" height="930" width_o="661" height_o="930" data-src="https://freight.cargo.site/t/original/i/eb30efd3a39e02b2c12c8641b682d3c6c2b3a05a460227b5fae408df63328ca3/That-is-how-the-mission-looked-on-paper.jpg" data-mid="104713434" border="0"  src="https://freight.cargo.site/w/661/i/eb30efd3a39e02b2c12c8641b682d3c6c2b3a05a460227b5fae408df63328ca3/That-is-how-the-mission-looked-on-paper.jpg" /&#62;


	‘The white room; or, Astronauts are not excitable’, Chrissie Cotter Gallery, 2010 and ‘The mission on paper’, Streetware street art program, Nithsdale Lane, City of Sydney 2011.




	


	“We
seek out a corner, it protects and conceals. It feels good in a narrow space,
but we know we can do what we want there ... [A man relates:] ‘As boys we built
ourselves a platform between the branches which could not be seen from below.
When we were sitting up there, when we pulled up the ladder and cut ourselves
off completely from the ground, then we felt perfectly happy.’ Our own room is
prefigured here, the free life that is coming ... The hidden boy is also
breaking out, in a shy way. He is searching for what is far away, even though
he shuts himself in, it is just that in breaking free he has girded himself
round and round with walls. All the better if the hiding place is mobile, that
is, if it consists of living material. In other words, of outlawed or strange
people with whom we go along.”
Ernst Bloch
The Principle of Hope

	



&#60;img width="2168" height="3031" width_o="2168" height_o="3031" data-src="https://freight.cargo.site/t/original/i/8d67c9bdd70194a0d21e5b8204504bb0f228b0406311eab6f6290f5ec97cd8b4/Emma-Davidson_cafe-de-banques-9.jpg" data-mid="65849959" border="0"  src="https://freight.cargo.site/w/1000/i/8d67c9bdd70194a0d21e5b8204504bb0f228b0406311eab6f6290f5ec97cd8b4/Emma-Davidson_cafe-de-banques-9.jpg" /&#62;
&#60;img width="2483" height="3442" width_o="2483" height_o="3442" data-src="https://freight.cargo.site/t/original/i/e79b626be3af3ba3137405c9f951790e5402f6e053b778e6510c36b31485bc99/Emma-Davidson_cafe-de-banques-5.jpg" data-mid="65849951" border="0"  src="https://freight.cargo.site/w/1000/i/e79b626be3af3ba3137405c9f951790e5402f6e053b778e6510c36b31485bc99/Emma-Davidson_cafe-de-banques-5.jpg" /&#62;
&#60;img width="2437" height="3440" width_o="2437" height_o="3440" data-src="https://freight.cargo.site/t/original/i/50c2b36e2a771a0a722a6c5d51dede6ac0371adebd52ea5ae93616466c6e5961/Emma-Davidson_cafe-de-banques-2.jpg" data-mid="65849946" border="0"  src="https://freight.cargo.site/w/1000/i/50c2b36e2a771a0a722a6c5d51dede6ac0371adebd52ea5ae93616466c6e5961/Emma-Davidson_cafe-de-banques-2.jpg" /&#62;
&#60;img width="2579" height="3577" width_o="2579" height_o="3577" data-src="https://freight.cargo.site/t/original/i/3b785cef879475578e725e281005707f51c957f36a844e88e425c86d75a48d71/Emma-Davidson_cafe-de-banques-4.jpg" data-mid="65849949" border="0"  src="https://freight.cargo.site/w/1000/i/3b785cef879475578e725e281005707f51c957f36a844e88e425c86d75a48d71/Emma-Davidson_cafe-de-banques-4.jpg" /&#62;


	From ‘I sat in the Cafe de (sic) Banques, which no longer exists’, found images and text on found paper, 2010




	

	“I can put you up in my old room,” said Ball, and he took me through a maze of angular streets, opened a wooden door, and climbed up an ancient groaning stairway. I found myself alone in a garret. Below me, Zurich lay asleep, not a puff of air was stirring, and the red sickle of the moon hung over me. 
The next day I ambled through Zurich. I paused at Bellevue-Ecke, which hadn’t yet become a traffic center. Then I walked along the lake, watching the swans whose feed Ball had envied; I walked, last but not least, down the Bahnhofstrasse, which was more of an international promenade in those days. Here, one might see refugees from all over the world; you could tell them by their clothes, which were so different from the respectable Swiss coats.
I sat in the Cafe des Banques, which no longer exists and where we subsequently saw Mary Wigman dance. She put on a special performance for us dadaists and ‘danced Nietzsche.’ I can still see her in the center of a circle, waving Zarathustra about. Left, right, left, right – ‘and concieved deeper than day’.
Richard Huelsenbeck Memoirs of a Dada Drummer
	




&#60;img width="1238" height="1748" width_o="1238" height_o="1748" data-src="https://freight.cargo.site/t/original/i/8b092b1cff2e85f259667e0b350f15c0c113656dd752dad897df671923e4c3db/Emma-Davidson_2008_6.jpg" data-mid="61465054" border="0"  src="https://freight.cargo.site/w/1000/i/8b092b1cff2e85f259667e0b350f15c0c113656dd752dad897df671923e4c3db/Emma-Davidson_2008_6.jpg" /&#62;
&#60;img width="1239" height="1753" width_o="1239" height_o="1753" data-src="https://freight.cargo.site/t/original/i/3cdca2d8392ff883b48d01ab36da4aa358698a2be942ba39fe72f83cffcfe3d6/Emma-Davidson_2008_7.jpg" data-mid="61465138" border="0"  src="https://freight.cargo.site/w/1000/i/3cdca2d8392ff883b48d01ab36da4aa358698a2be942ba39fe72f83cffcfe3d6/Emma-Davidson_2008_7.jpg" /&#62;
&#60;img width="2443" height="3483" width_o="2443" height_o="3483" data-src="https://freight.cargo.site/t/original/i/8047e360ee739cd7ab8817027b9cb04e7c010f40ff674c0cdabdb59ee248b309/Emma-Davidson_2008_4.jpg" data-mid="61464158" border="0"  src="https://freight.cargo.site/w/1000/i/8047e360ee739cd7ab8817027b9cb04e7c010f40ff674c0cdabdb59ee248b309/Emma-Davidson_2008_4.jpg" /&#62;

‘Phonemes’, found images on paper, 2008




&#60;img width="917" height="801" width_o="917" height_o="801" data-src="https://freight.cargo.site/t/original/i/ab00226e1182079b928d549fecb4ee2be400cb6721e81a315a8632f42adaad0a/Emma-Davidson_2002.jpg" data-mid="61465666" border="0" alt="&#38;lsquo;Eighttimesover&#38;rsquo;, used electric typewriter eraser ribbon on canvas panels, 2002" data-caption="‘Eighttimesover’, used electric typewriter eraser ribbon on canvas panels, 2002" src="https://freight.cargo.site/w/917/i/ab00226e1182079b928d549fecb4ee2be400cb6721e81a315a8632f42adaad0a/Emma-Davidson_2002.jpg" /&#62;





	Selected exhibitions 
2002–10

2010: ‘The white room, or, Astronauts are not excitable’,&#38;nbsp;Chrissie Cotter;&#38;nbsp;
‘An education’ Show us your politics, Kudos
‘Another window with a different view’,&#38;nbsp;Sydney College of the Arts postgraduate degree show
‘The mission on paper’, Streetware temporary art program, Nithsdale Lane, Sydney
‘Persistent desires’,&#38;nbsp;Sydney contemporary art survey,&#38;nbsp;231 Wilson St Everleigh&#38;nbsp;
2009: ‘Well I wonder/Digging’, Little Fish
2008: ‘Arc of a journey’, Marrickville contemporary art prize, At the Vanishing Point
2005: ‘Terrain vague’ (with Ned Sevil, Anwen Crawford, Anna Crane, Pep Prodromou and others), Mori gallery
2004: ‘Where’s your messiah now?’, Sydney College of the Arts undergraduate (honours) degree show
2002: ‘Untitled’, Sophomore, Newspace
	&#60;img width="1471" height="2157" width_o="1471" height_o="2157" data-src="https://freight.cargo.site/t/original/i/58775571ccfebd838392b4a26d34f86a1a684de55dee5cea29f9faed6f83356b/Emma-Davidson_cafe-de-banques-13.jpg" data-mid="65856523" border="0" data-scale="85" src="https://freight.cargo.site/w/1000/i/58775571ccfebd838392b4a26d34f86a1a684de55dee5cea29f9faed6f83356b/Emma-Davidson_cafe-de-banques-13.jpg" /&#62;


From ‘I sat in the Cafe des Banques, which no longer exists’
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